Friday, October 11, 2013

Daniel Kelin's Improbable Beautiful




 1. How long have you been a teaching artist?
Nigh on 30 years 
2. What discipline(s) do you teach?
 Theatre/Drama
3. Describe the setting(s) in which you teach.
In-School, after school, professional theatre, community centers, university...in just about every setting I can 
4. Who shaped your initial thinking about teaching art?
 Very probably my theatre teachers in elementary and high school, but it is hard to pinpoint one person or situation
5. Describe the relationship between your personal art practice and your art teaching?
 A tightly woven rope, as each depneds on the other for strength of purpose and effectiveness. Each has influenced the other to the degree that it is hard to know what was influenced by the other.  Each gives me the opportunity to practice approaches in different settings to gauge effectiveness.
6. How do you sustain your art while teaching?
My art is a part of my teaching so it is sustained by continuing to teach.  I also don't believe that I should be doing 'an' art, but engage in artistic pursuit in various ways and disciplines.
7. What training in the arts and/or education have you had?
My art was college and university, primarily and since then workshops as I can.  Education was initially practice.  There were not many opportunities for training when I first started.  Now it is sustained through conferences, workshops and collegial dialogues.  In addition I lead many trainings and learn through those.
8. What are the biggest challenges you face as a teaching artist?
The fact that in the US there is still the sense that TEACHING art is the bastard child of DOING art.  Stupid, egotistical attitude that cultivates an elitist attitude and makes it harder to rally support for the arts.
9. What are the unexpected rewards of being a teaching artist?
Relationships, renewal of purpose, witnessing the authenticity of response on the part of young children 
10. What advice do you have for other artists interested in teaching?
Reflect, often. Adjust to your setting, don't make the setting fit you. Be prepared to change at any moment and embrace it. There is no 'right' way.  Learn as you do, don't set yourself up as the expert.
Please share one anecdote of a memorable Teaching Artist experience or your favorite resources for lessons.

FAVORITE: Viewpoints, Studio Thinking, Releasing the Imagination 
Please share any upcoming events or shows you are involved in so we can find out more about your personal art practice.

Monday, October 7, 2013

In deep waters...



When I started this blog I was in between my first and second semesters as an MFA student, struggling with my role as a teacher and my desire to just make art. Now heading into my third semester and I have learned much from everyone who has contributed. 

The lesson so far... There is not a division between teaching art and making art. Instead it's about learning to live an artful life. How does my life inform my art and my art inform my life? What am I striving for as a person this earth? How can I express my values, goals, fears and hopes through my work? My work is equally teaching and making art. Sometimes I'm deeply engaged in the classroom and other times I need to withdraw a bit and focus on my studio practice. For a long time I was focused on who I am as a teacher. I fully developed my teacher persona. I started to think I needed to abandon that persona and develop and artist persona. Now I see the folly in that approach. There is no persona - just me. I need to know and be who I am, fully, in order to succeed as a creative person. The journey continues, the lessons are good and deep and sometimes painful but mostly the ride is joyful, improbable and beautiful.

Check out the current work of past contributors:

Ryan Canarro  "this hour forward..." Performance installation i Juneau Alaska

Jill McLennan at Mercury Twenty Gallery, Oakland, CA


Saturday, September 21, 2013

Heather Ridgeway's Improbable Beautiful


student art work


1. How long have you been a teaching artist?
28 yrs 
2. What discipline(s) do you teach?
Drawing, painting, mixed media, digital art, printmaking, ceramics, murals, ....
3. Describe the setting(s) in which you teach.
Currently 9-12 (high school) and an occasional teacher training, used to do integrated elementary.
4. Who shaped your initial thinking about teaching art?
 My art teachers through k-12
5. Describe the relationship between your personal art practice and your art teaching?

Teaching keeps me learning new things but makes it very difficult to become master of anything, though it forces process analysis, so I feel like I'm more aware if what I know...
6. How do you sustain your art while teaching?

My teaching is my art 
7. What training in the arts and/or education have you had?

Ak State certifications in MAT-K12 Art Ed & K-8 BA of Ed; internship in Set Design w/Perseverance Theater, IATSE backstage hand training; London City & Guild Certification in Architectural Restoration and Decorative Painting; numerous "Canvas" workshops, Community Schools classes, professional development etc....
8. What are the biggest challenges you face as a teaching artist?

Time management - consistent expectations and assessments that promote positive production, quality and growth for all
9. What are the unexpected rewards of being a teaching artist?
 Learning from my students
10. What advice do you have for other artists interested in teaching?

 Let your students teach you stuff, share your mistakes, etc
Please share one anecdote of a memorable Teaching Artist experience or your favorite resources for lessons.
The day a kid got up the nerve to approach me respectfully after class and tell me I made him uncomfortable when I rolled my eyes. I had no idea I was rolling my eyes!! 20 years later, that exchange shapes me daily.

Please share any upcoming events or shows you are involved in so we can find out more about your personal art practice
Heather's artwork


Saturday, September 7, 2013

Ryan Conarro’s Improbable Beautiful


http://tajournal.com/

1. How long have you been a teaching artist?
I've been a teaching artist since 2002.
2. What discipline(s) do you teach?
 I teach theatre.
3. Describe the setting(s) in which you teach.
(K-5, after school, university, community center, etc…)
 I've taught in all of the above settings. Most often, I teach in K-12 school settings in rural Alaska schools.
4. Who shaped your initial thinking about teaching art?
 My first teaching artist experiences after college were while I was a company member with Aquila Theatre Company-- members of that group helped me learn ways to teach Shakespeare that can be playful and accessible.
When I moved to Juneau, Alaska, I found two great mentors--the woman who then ran the high school theatre program, and another woman who designs programs and writes grants for rural arts projects. They've guided me, respectively, on good strategies for modeling performance for young people, and on navigating cross-cultural landscapes as an educator. They also both took risks with me, signing me on to projects that were beyond my past experience and which stretched me.
Before all that, I started getting involved in theatre in middle school, with a children's theatre in north Georgia. The director of that theatre was a big influence on me. She had a huge passion for making art at a high standard and making it accessible to kids and families.

5. Describe the relationship between your personal art practice and your art teaching?

I see the two as coexistent and feeding each other. There have been times when I've opted to accept a teaching gig over performing or directing a professional project. Among many other things, teaching theatre has helped me become more facile with articulating my processes and techniques as an actor and director.
6. How do you sustain your art while teaching?
 I seek out TA opportunities in which I can experiment artistically in ways that I couldn't or am not ready to do with adults. For example, in 2011-12 I did a year-long puppetry project with a school district. I wouldn't have felt comfortable telling adults I could teach them to build puppets--but I told the kids that! And we all learned together.
7. What training in the arts and/or education have you had?
 I went to undergrad at NYU's Tisch School of the Arts for Drama and English. I also spent one summer back at NYU in their graduate program for Educational Theatre. I've participated in several summer Basic Arts Institutes for educators through the Alaska Arts Education Consortium. A lot of my learning has been by doing.
8. What are the biggest challenges you face as a teaching artist?
 I think my biggest challenges include finding consistent, adequate planning time with teachers. My dream gigs are those in which I really feel like I'm co-teaching with a teacher, that s/he is learning alongside me and I alongside him/her. But it doesn't often happen that way. Part of the reason it doesn't is because teachers have way too much on their plates to begin with.
Another challenge I face, in Alaska, is budget cuts. Two major programs I depended on have gone away this year, and so the arts education landscape is changing a bit. There are still plenty of opportunities here for me for school engagements (thankfully), but my rate of pay has dropped drastically, so I'm having to adjust my standard of living accordingly.
9. What are the unexpected rewards of being a teaching artist?
 I've lived in Juneau for 10 years now, and began doing school arts projects my first year here. One thing I couldn't have anticipated then is how well-connected I feel with the community because of the projects I've done. I know lots of parents. Many kids who were in high school have gone away to college and come back--or they never left--and now here they are, with jobs and kids sometimes, and they're my peers now. I love it.
10. What advice do you have for other artists interested in teaching?
 Do it!
Classroom management is key. Find/experiment with playful/artistic ways to create behavior routines with students. And don't be afraid of being a disciplinarian.
I think, for me, as long as I'm having fun, I can pretty much bet that the students are as well. And I always look for teachers who are interested in mentoring me and helping me improve my teaching practice.
*Bonus*
Please share one anecdote of a memorable Teaching Artist experience or your favorite resources for lessons.

 This website is not that impressive looking, but teachers consistently love it:
There's a helpful link for Reader's Theater. I've realized a lot of teachers don't really know what RT is, per se, and they're sort of sheepish about that. This website is a useful resource for those of them who want to do more RT--which is to say, to get their kids reading with fluency and motivation!
Please share any upcoming events or shows you are involved in so we can find out more about your personal art practice. Provide links to websites, event sites, etc.
 I'm currently involved with Theater Mitu's production "Juarez: A Documentary Mythology":
And I'll be leading the Drama section of the summer Arts Education Institute in Alaska:
I'm facilitating a residency now in Juneau, a joint puppetry project between Thunder Mountain High School and Glacier Valley Elementary. 
In October, I'll open a new performance installation at the Juneau Arts & Culture Center Gallery, "This Hour Forward."

Monday, August 19, 2013

Storme Webber's Improbable Beautiful


Storme Webber’s Improbable Beautiful
Red Eagle Soaring Native Youth Theater

1. How long have you been a teaching artist?
All my life. Professionally, over the past twenty years.

2. What discipline(s) do you teach?
Primarily creative writing/poetry - from an interdisciplinary place incorporating visual art, music, movement, meditation & performance.

3. Describe the setting(s) in which you teach.
University of Washington -Young Writers Workshop- middle school summer camp 2 week sessions.
Arts Corps. - After school at low-income housing developments. Also at secure facilities for youth involved with juvenile justice system.

Prisons- men’s and women’s.
1.     Hedge brook – women writers retreat on Whidbey Island
2.     Vashon Island Poetry Festival
3.     Chuckanut Writers Conference
4.     NYC public schools
5.     NYC shelters
Varies…

4. What funding source(s) support you as a teaching artist?

nonprofits, barter, grants, scholarships and patrons of the arts.


5.     Who shaped your initial thinking about teaching art?

The experience of being saved by art as a child.

6. Describe the relationship between your personal art practice and your art teaching?
Ideally in synch, expressing the powerful transformative nature of art.

7. How has your training and/or other life experiences benefited your teaching?

Immeasurably, by telling  & showing me how mighty creativity  is.

8. What are the biggest challenges you face as a teaching artist?

Financial support.

9. What are the unexpected rewards of being a teaching artist?

Inspiration in seeing others especially youth & elders empowered & inspired.

10. What advice do you have for other artists interested in teaching?

Training is helpful, and community with other teaching artists.

11. What is your hope for the future of arts education?

I hope that it is expanded & placed everywhere that education is, and that it is funded so that TA s will be fairly paid (min $50/hr)

Please share one anecdote of a memorable Teaching Artist experience.

Seeing someone who seemed impervious to the very idea of creative effort, catch ahold of an impetus, write some truth about their life, and be subtly amazed.

*About the photo: 

This was an outstandingly wonderful experience- I also co directed, chose music & dramaturged, & dressed the cast in period wardrobe.

The challenge was to imbue them with the revolutionary spirit of the 60s. This occupation followed Alcatraz & was inspired by the emerging AIM activism. In the end it happened, and the play debuted at Daybreak Star itself- the cultural center created by what happened in the play! on Palm Sunday. Resurrection City was the name given to the encampment. Several elder activists were present and appreciated the work. For me it was a powerful affirmation of the transformative nature of storytelling and activist history. Truly a highlight of the journey thus far.




https://www.facebook.com/Red.Eagle.Soaring?fref=ts

I just returned from www.michfest.com where I performed & debuted  my new CD of poetry/ stories & vocals called "Blues Divine". Available from me: storme.webber@goddard.edu



Friday, August 16, 2013

Improbable Beautiful Gratitude




Thanks teaching artists who have participated in the questionnaire so far.  
I'm honored by your willingness to share. A lot of new folks have sent in responses. I look forward to posting your thoughts and work in the future. 

Enjoy this collaboration between Tanya Davis and Andre Dorfman.